PFR
Disappear
Squint Records
2001

After PFR went their separate ways back in 1997, many wondered who would fill the void left in the CCM scene by their departure. As a couple years went by, it became apparent that although artists like Jennifer Knapp, Caedmon's Call and others were becoming the industry's brightest new stars, there was no successor to the pop-rock position PFR had previously occupied. And from all accounts, the band members had no intention of reforming anytime soon.

Fast forward to the summer of 2000. Yours truly began to hear rumors that PFR had reformed and were planning a release on a small indy label the following fall. Not all the rumors were correct, but they carried a hint of truth. PFR did join together for a song on the compilation CD to accompany the book, Roaring Lambs. Not only that, but they also signed with Steve Taylor's Squint Records and began work on their first studio album in five years.

The fruit of their labors is Disappear. It is chock full of everything fans of Joel Hanson, Patrick Andrew and Mark Nash (the guys in the band) have come to expect, with more of a leaning towards all out rock music than anything previously recorded.

Several of the tracks on Disappear also appeared on Hanson's solo CD released last year. It's not bad that they've been recycled--they are all quite good. It's also evident that Hanson has not acquired any rust in his songwriting skills. The sound is heavy with electric guitar, something PFR was hinting at with previous songs like 'Pour Me Out' and 'Walk Away From Love.' However, the overall use doesn't mimic alternative bands like Skillet and Plankeye that refuse to let go.

Like I've said, the album doesn't let anyone down, but my favorite song is the final track, 'You.' This dream-like waltz reminds me of Pink Floyd's 'Dark Side of the Moon.' There are just enough trippy guitar effects to make the soundscape perfect to listen to while attempting sleep. This is the closest to a "jam song" PFR has gotten, and I think it's a testament to their musicianship that they can evade labeling and make the music they want to make. Trust me, its something you'll want to listen to, too. (Adam L.)